The French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.

This is largely due to the commercial strength of domestic productions, which accounted for 44.5% of admissions in 2014 (35.5% in 2015 35.3% in 2016). France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014.

įrance currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of the United States. In 2013, France was the second largest exporter of films in the world after the United States. It is the oldest and largest precursor of national cinemas in Europe with primary influence also on the creation of national cinemas in Asia.įrance continues to have a particularly strong film industry, due in part to protections afforded by the French government. Having their car featured in a major Hollywood movie is a dream of many enthusiasts who have spent years babying their vintage vehicle.See also: Lists of French films Cinema of FranceĢ0th Century Studios ( The Walt Disney Company) (14.6%)įrench cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. In such cases, they can put out “casting calls” for specific cars. This approach works when the crew is looking for specific vehicles to be featured front-and-center for in-story reasons and driven by major characters. Some production studios are big enough to have their own internal department or representatives who reach out to classic car associations and clubs to ask for cars to use on-set.When studios ask for certain models or years for movie sets, these businesses draw from their contacts to have collectors drive their beauties across the screen. Businesses like Laurel’s Motion Picture Car Locators act as agents for car owners, cultivating a library of contacts and their available items. Other companies exist that connect production studios with classic car owners and collectors.Companies like Cinema Vehicles, America’s largest cinema vehicle services company, supply studios with picture-read cars for stories of any time period. Companies exist that amass stockpiles of cars from various decades that can be rented by studios for use in movies.They have multiple ways in which to do so: To sell the realism of a historic cinematic setting, production companies and set crews need dozens of accurate-looking, like-new vehicles to populate their movie. Where do production crews obtain classic cars for historic movies? Old, But Looks like New: Ways to clean your car so it looks brand-new It’s not Hollywood magic that does the job: There are secrets behind how studios acquire classic cars for historic movie sets. Classic cars are an essential set dressing in historic films needed to give the setting authenticity.

Have you ever noticed the abundance of vintage vehicles lining city streets in period films set in the early 20th century? Surrounding the movie characters - be they a 1950s family or 1920s mobsters - are dozens of pristine cars from that time period. 1956 Ford Thunderbird in American Graffiti

80s movie production companies